The great English recording engineer, mixer, producer, studio manager, designer and builder, Bill Price, has passed away after a long illness.
Bill was AIR Studio, Oxford Street’s, chief engineer, from their opening in 1970, until he took over at Wessex Studio, in 1976. He began his career at Decca in the mid 1960’s. Bill, recorded, mixed, and or produced, many of my favorite recordings, including Without You, by Harry Nilsson, London’s Calling, by The Clash, and the AIR recorded Live and Let Die, by Paul McCartney.
“As a staff engineer at Decca’s West Hampstead studios in the mid-’60s, Price recorded a string of worldwide hits for Tom Jones and Engelbert Humperdinck, and has been consistently associated with quality recordings and commercial success ever since. Tapped by George Martin and his partners for the position of chief engineer at the new AIR Studios facility in London’s West End, Price went on to revive Wessex Studios in the mid-’70s and recorded several of the most influential records of the decade, including albums by the Sex Pistols, The Clash and The Pretenders. In the ’80s, Price worked with Pete Townshend, Elton John, the Jesus and Mary Chain and Big Audio Dynamite, among others, and the ’90s found him producing The Waterboys and mixing for the Stone Roses, The Cult, Robert Plant and Guns N’ Roses.”
from mixonline interview 2000
Bill also worked on David Bowie’s first album, Nilsson Schmilsson, Badfinger, Wings, Average White Band, Climax Blues Band, Mott the Hoople, Sex Pistols, Elton John, Pretenders, The Cult, Guns n Roses, Big Audio Dynamite, The Stone Roses, John Mayall and the Bluesbreakers, and many more!
I met Bill in the late 1980’s, at AIR Studios, where he was often working in studio 1 with Chris Thomas.
Bill recorded Charlie Morgan on drums, in studio 1, for our AKAI AIR Sessions, that Dee Long and I produced in 1987, for the AKAI S1000 sampler library.
Part 1 of the BILL PRICE Interview from mixonline
Part 2 of the BILL PRICE interview from mixonline